Websites, made to order
Twenty-two website styles, each served as a real sample site. Browse the menu, take the quiz if you can’t decide, and send me your favourites. I’ll design your site from there.
Warm pools, four kids per class, and teachers who make bubbles the best part of the week.
Connect every bank, card and savings pot. See where it goes, and move it in two taps.
Hearth learns your routine in a week, then quietly keeps every room just right.
Candle-lit sound baths and gentle breathwork for tired minds. No experience needed. Just come as you are.
Stoneware with a matte ash glaze.
24 cm. Thrown by hand in Leeds.
We design buildings that belong to their site: its light, its slope, its neighbours. Housing, schools and workplaces since 1994.
invoiced by Tally users this week
Exported in one click
“I stopped chasing clients. Tally does it for me, politely.”
Automation came for every light on the coast except one. We spent a winter with the family who refused to leave.
The lamp at Skarholm has not gone dark in one hundred and twelve years. Every evening, a little before sunset, Maren Aas climbs the ninety-four steps to the gallery, wipes the salt from the great lens with a chamois that was her grandmother’s, and waits for the light to fail. She does not hurry. “The sea keeps its own time,” she says, “and so do we.”
Below her, the keeper’s cottage glows with a peat fire and the radio murmurs the shipping forecast. Her husband, Jonas, mends nets at the kitchen table; their daughter does her schoolwork by the window, one eye on the horizon. The coastguard sent a letter in March, politely suggesting the tower be switched to a sensor and a solar cell. It is still pinned beside the barometer, unanswered, gathering a faint rime of steam from the kettle.
“They ask who will be here when we are gone,” Maren says, trimming the wick of a lamp that has not needed one since 1974. “I tell them: the light will be, as long as someone climbs the stairs.”
Three small-batch sauces from independent makers, delivered to your door on the first of every month. Skip or cancel any time.
Big flavours, bigger nights. A neighbourhood bar dressed for a party every night of the week.
Super-shiny, non-sticky lip gloss in 12 juicy shades. Smells like cherry cola. Looks like a disco ball.
A tiny adventure about a very small hero and a very big forest.
Three generations, one sourdough starter named Gloria, and the cardamom buns our regulars queue around the block for.
Encrypted backups mirrored across three continents, watched every second by people who actually pick up the phone.
Forty arcade cabinets, six private karaoke booths and a cocktail list named after cheat codes.
Rich broth, hand-pulled noodles and chilli oil hot enough to reboot your system. Served all night, every night.
Exhibitions · Est. 1962
studio notebook, no. 14
Fieldwork is a two-person studio designing furniture and objects. We sketch hundreds of versions so you only see the right one.
A slow-living retreat · Joshua Tree, CA
Adobe rooms, clay workshops, sound baths under the stars and very good coffee. Stay a weekend or a whole month.
Afternoon tea served daily from three o’clock in our oak-panelled parlour, with cakes baked to the family’s original receipts.
Pottery studio · Mashiko
Tsuchi makes tableware by hand in a small wood-fired kiln outside Mashiko. Each piece is a little uneven, and we think that is the point.
Five families, twenty-two styles. Every sample is a full homepage made for a business that suits it, so you can picture your own.
Rounded, touchable and easy on the eyes.
Warm pools, four kids per class, and teachers who make bubbles the best part of the week.
Puffy, squishy 3D shapes in candy pastels. Everything looks soft enough to press.
Good for Kids' brands · Apps · Toy shops · Family services
Connect every bank, card and savings pot. See where it goes, and move it in two taps.
Frosted, see-through panels floating over soft glows of colour. Modern and premium.
Good for Fintech · Apps · SaaS · Tech products
Hearth learns your routine in a week, then quietly keeps every room just right.
Soft controls that look moulded out of the background itself. Calm and tactile.
Good for Smart home · Devices · Wellness apps · Dashboards
Candle-lit sound baths and gentle breathwork for tired minds. No experience needed. Just come as you are.
Misty pastels, floating glows and delicate type. Gentle, airy and a little dreamy.
Good for Spas · Wellness · Yoga · Skincare · Wedding planners
Order, space and very good type.
Stoneware with a matte ash glaze.
24 cm. Thrown by hand in Leeds.
Lots of space, one hero object and very few words. Quiet confidence.
Good for Product shops · Ceramics · Fashion · Photographers
We design buildings that belong to their site: its light, its slope, its neighbours. Housing, schools and workplaces since 1994.
Strict grids, bold sans-serif type and one strong colour. Clear and confident.
Good for Architects · Consultancies · Design studios · Museums
invoiced by Tally users this week
Exported in one click
“I stopped chasing clients. Tally does it for me, politely.”
A tidy box of rounded tiles, each telling one part of the story at a glance.
Good for SaaS · Apps · Portfolios · Product launches
Automation came for every light on the coast except one. We spent a winter with the family who refused to leave.
The lamp at Skarholm has not gone dark in one hundred and twelve years. Every evening, a little before sunset, Maren Aas climbs the ninety-four steps to the gallery, wipes the salt from the great lens with a chamois that was her grandmother’s, and waits for the light to fail. She does not hurry. “The sea keeps its own time,” she says, “and so do we.”
Below her, the keeper’s cottage glows with a peat fire and the radio murmurs the shipping forecast. Her husband, Jonas, mends nets at the kitchen table; their daughter does her schoolwork by the window, one eye on the horizon. The coastguard sent a letter in March, politely suggesting the tower be switched to a sensor and a solar cell. It is still pinned beside the barometer, unanswered, gathering a faint rime of steam from the kettle.
“They ask who will be here when we are gone,” Maren says, trimming the wick of a lamp that has not needed one since 1974. “I tell them: the light will be, as long as someone climbs the stairs.”
Magazine-style pages: big serif headlines, columns and generous reading space.
Good for Publications · Blogs · Writers · Bookshops
Huge refined lettering, deep black and fine gold details. The type does the work.
Good for Perfume · Jewellery · Fashion houses · Hotels · Fine dining
Big personality, built to be remembered.
Three small-batch sauces from independent makers, delivered to your door on the first of every month. Skip or cancel any time.
Thick black outlines, hard shadows and loud flat colour. Impossible to ignore.
Good for Food & drink · Creative studios · Direct-to-consumer brands · Events
Big flavours, bigger nights. A neighbourhood bar dressed for a party every night of the week.
Pattern on pattern, colour on colour, more of everything. Joyful and bold.
Good for Restaurants & bars · Boutiques · Festivals · Lifestyle brands
Super-shiny, non-sticky lip gloss in 12 juicy shades. Smells like cherry cola. Looks like a disco ball.
Chrome lettering, bubbly buttons, sparkles and pastel gradients straight out of 2001.
Good for Beauty · Fashion · Music · Gen Z brands
A tiny adventure about a very small hero and a very big forest.
Chunky 8-bit graphics and game-style menus. Nostalgic and playful.
Good for Game studios · Esports · Tech events · Hobby shops
Three generations, one sourdough starter named Gloria, and the cardamom buns our regulars queue around the block for.
Taped photos, handwritten notes and paper textures. Personal, warm and a little messy.
Good for Bakeries · Family businesses · Wedding & travel photographers · Crafters
Neon, grids and screens from futures past.
Encrypted backups mirrored across three continents, watched every second by people who actually pick up the phone.
Early-internet tech mood: glowing grids, wireframe globes and system readouts.
Good for IT services · Cybersecurity · Tech startups · Gaming hardware
Forty arcade cabinets, six private karaoke booths and a cocktail list named after cheat codes.
The 80s imagining the future: neon grids, striped sunsets and chrome glow.
Good for Bars & nightlife · Arcades · Musicians · Events
Rich broth, hand-pulled noodles and chilli oil hot enough to reboot your system. Served all night, every night.
A rain-soaked neon city at night: glitchy type, hazard stripes and sharp panels.
Good for Gaming · Late-night food · Tech · Music & nightlife
Texture, story and a human hand.
Exhibitions · Est. 1962
Dreamlike scenes where things float, doors open onto skies and nothing sits quite right.
Good for Galleries · Artists · Music releases · Fashion
studio notebook, no. 14
Fieldwork is a two-person studio designing furniture and objects. We sketch hundreds of versions so you only see the right one.
Graph paper, pencil lines and handwritten notes. Shows the thinking behind the work.
Good for Architects · Product designers · Makers · Workshops & education
A slow-living retreat · Joshua Tree, CA
Adobe rooms, clay workshops, sound baths under the stars and very good coffee. Stay a weekend or a whole month.
Warm earth tones, arches, sun motifs and handmade pattern. Free-spirited and relaxed.
Good for Retreats · Plant shops · Cafés · Home decor · Yoga studios
Afternoon tea served daily from three o’clock in our oak-panelled parlour, with cakes baked to the family’s original receipts.
Ornate frames, rich deep colours and old-world lettering. Heritage and ceremony.
Good for Tea rooms · Barbers · Bookshops · Distilleries · Heritage brands
Pottery studio · Mashiko
Tsuchi makes tableware by hand in a small wood-fired kiln outside Mashiko. Each piece is a little uneven, and we think that is the point.
Imperfect, natural and quiet. Earthy textures, uneven shapes and room to breathe.
Good for Ceramics · Tea & coffee · Interiors · Restaurants · Mindful brands
Can’t decide?